The Clear Line: Non-Destructive or Nothing
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Smart Objects: your source remains intact, everything stacks on top.
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Gradient Map: three to four ranges are enough for the real photocopy "break"; midtones must live, not dissolve.
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Levels/Curves: anchor blacks without charring, lift grays.
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Textures: paper + toner (Overlay 10–25%), localized dirty edges via mask.
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Fine Noise (0.7–1%): breaks the digital screen by unifying the skin.
2025: Easier Compositing, Credibility Under Control
The new features in Harmonize (beta) help integrate an imported element by harmonizing color/light/shadow/tone, useful if you combine photocopy with collage or decor redesign. The tool speeds up global consistency without destroying your layer structure, freeing up time to refine the material.
Two Ambient Presets to Keep
— "Local Mag": harsh contrast, more visible grain, pronounced edges.
— "New Photocopier": preserved midtones, subtle edges, a hint of blur (1–2 px) for toner diffusion.
Print vs Web: Realism Without Bad Surprises
RGB for construction. Export WebP for performance, PNG for external alpha. For print: CMYK conversion at the end, flatten sensitive blends, check blacks (K 95–100 for text) and perceived screen ruling in large format. The goal is not to mimic analog, but to evoke it without breaking the production chain.
Common Mistakes
Too much contrast kills readability. Too much "grime" kills credibility. The illusion relies on weak sensory cues: irregular edges, barely-there noise, breathing midtones. If you "see" the trick, it was too strong.
A good "photocopy" is not a spectacular filter but a sustained rendering: non-destructive, progressive, reproducible. You're in control, you choose the intensity.
Start with a PSD starter and enhance with PHOTOCOPY CREATIVE PACK, Old Painting Action, Heaven POV for photocopy/analog hybrids



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